Oberheim TEO-5: The compact analog polysynth that reframed the modern Oberheim sound

Oberheim TEO-5: The compact analog polysynth that reframed the modern Oberheim sound

Bernardo · Apr 15

Waldorf Quantum MK1: Deep synthesis, analog filters, and a modern Waldorf classic

Waldorf Quantum MK1: Deep synthesis, analog filters, and a modern Waldorf classic

Bernardo · Apr 15

Waldorf microQ Keyboard: The compact Q-series synth that still cuts through

Waldorf microQ Keyboard: The compact Q-series synth that still cuts through

Bernardo · Apr 15

Updates

Waldorf Microwave XTk: Why this 1999 wavetable polysynth still matters

Waldorf Microwave XTk: Why this 1999 wavetable polysynth still matters

Bernardo · Apr 15

Waldorf Q: Why this cult virtual analog synth still matters

Waldorf Q: Why this cult virtual analog synth still matters

Bernardo · Apr 15

Waldorf Quantum MK2: Inside the 16-voice hybrid synth that reframed the Quantum platform

Waldorf Quantum MK2: Inside the 16-voice hybrid synth that reframed the Quantum platform

Bernardo · Apr 15

Oberheim OB-X8: The modern polysynth that reunites the OB-X, OB-Xa, and OB-8

Oberheim OB-X8: The modern polysynth that reunites the OB-X, OB-Xa, and OB-8

Bernardo · Apr 15

Behringer VC340: The analog vocoder and string machine that revives a lost format

Behringer VC340: The analog vocoder and string machine that revives a lost format

Bernardo · Apr 14

Behringer MS-1 MK II-RD: The affordable SH-101-style monosynth refined for modern use

Behringer MS-1 MK II-RD: The affordable SH-101-style monosynth refined for modern use

Bernardo · Apr 14

Synths

Oberheim TEO-5: The compact analog polysynth that reframed the modern Oberheim sound

Oberheim TEO-5: The compact analog polysynth that reframed the modern Oberheim sound

Bernardo · Apr 15

Waldorf Quantum MK1: Deep synthesis, analog filters, and a modern Waldorf classic

Waldorf Quantum MK1: Deep synthesis, analog filters, and a modern Waldorf classic

Bernardo · Apr 15

Waldorf microQ Keyboard: The compact Q-series synth that still cuts through

Bernardo · Apr 15

Waldorf Microwave XTk: Why this 1999 wavetable polysynth still matters

Bernardo · Apr 15

Waldorf Q: Why this cult virtual analog synth still matters

Bernardo · Apr 15

Plugins

GForce Oberheim OB-E: The 8-Voice emulation that turns vintage complexity into a modern instrument

GForce Oberheim OB-E: The 8-Voice emulation that turns vintage complexity into a modern instrument

Bernardo · Apr 3

Cherry Audio GX-80: A CS-80-inspired soft synth with GX-1 scale and modern usability

Cherry Audio GX-80: A CS-80-inspired soft synth with GX-1 scale and modern usability

Bernardo · Apr 3

GForce Oberheim OB-X: Vintage Oberheim tone, expanded for modern production

Bernardo · Apr 3

Cherry Audio P-10: A modern Prophet-10 emulation with dual-layer depth and real production value

Bernardo · Apr 3

Cherry Audio Mercury-8: A Jupiter-8 emulation built for modern production

Bernardo · Apr 3

Reviews

TEO-5 vs OB-6: Vintage immediacy or modern flexibility?

TEO-5 vs OB-6: Vintage immediacy or modern flexibility?

Bernardo · Apr 8

Sequential Take 5 vs Prophet-5 Rev4: Sound, filter character, and workflow compared

Sequential Take 5 vs Prophet-5 Rev4: Sound, filter character, and workflow compared

Bernardo · Apr 2

Sequential OB-6 vs Korg Prologue: Two ways to think about analog synthesis

Bernardo · Apr 2

Take 5 vs Prophet-6: Which analog poly best fits your sound?

Bernardo · Mar 31

TEO-5 vs Take 5: two compact poly synths, two very different personalities

Bernardo · Mar 29

Articles

Roland TB-303: How a failed bass machine became the sound of acid house

Roland TB-303: How a failed bass machine became the sound of acid house

Bernardo · Apr 8

Yamaha CS-80, Vangelis, and Blade Runner: How one synth shaped the sound of sci-fi

Yamaha CS-80, Vangelis, and Blade Runner: How one synth shaped the sound of sci-fi

Bernardo · Apr 8

How Kraftwerk turned the Minimoog and vocoders into the blueprint for electronic pop

Bernardo · Apr 5

Laser Harp History: How Bernard Szajner’s invention became an icon of electronic performance

Bernardo · Apr 5

The Oxygène Effect: How Jean-Michel Jarre turned the EMS VCS3 and the eminent 310 into a global phenomenon

Bernardo · Apr 5